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Type of bind: Hardcover
Dewey Decimal Number: 623.6609044
EAN num: 9781550464245
ISBN number: 1550464248
Label: Boston Mills Press
Manufacturer: Boston Mills Press
Quantity: 1
Page Count: 272
Printing Date: August 11, 2005
Publishing house: Boston Mills Press
Sale Popularity Level: 134492
Studio: Boston Mills Press
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Editor's Notes and Comments:
Product Description:
A superb collection of 'top secret' drawings from World War II.
Almost all of the material in this book was originally listed as Restricted -- Official Use Only and was previously unpublished in any form.
Fascinating and informative, the illustrations in Graphic War are from top secret training manuals and colorful wartime posters. Remarkable in both scope and concept, the book is packed with detailed cutaway drawings of the aircraft and airborne weaponry so critical to the war efforts of Allied and Axis forces alike.
Many of the graphic artists and technical illustrators employed by the Allies, and most employed by the Axis powers, remain anonymous. Their work survives on these pages, however, to provide rare and unique insight into war room strategy and the air- and ground-crew trainee classroom.
While governments have long enlisted the talents of artists to record specific battles, the illustrations in this book were created for a much different purpose: they were intended to help young men win battles and survive to fight another day.
(200509)
User popularity level:
Rated by buyers -
This is a beautiful book that takes us back to the time before the internet DVDs and laptops, and answer the question how do you educate the "user" of the increasing complicated machines of war that were being developed during WWII. This book is of Interest to the graphic artist and the WWII buff. You forget that no matter how awfully bad some of the machines were, and what death traps. They still needed a user manual. It is sobering to see the instructions for the Hampden bomber crews on how to bail out, (a feat that not many achieved) and you wonder how many owed their like to this graphic. The collection is exclusively Aviation, which raises the question of the other two Forces and their contribution (may be there will be a couple of sequels). I would have liked more translation of the foreign language graphics - but overall I have no complaints this was a great book.
Rated by buyers 
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Any one interested in the WW II planes will find this useful as well as gaining some history of the process by which this was developed. Less info and illustrations by American illustrators than I would have liked. But worth the investment.
Rated by buyers -
The concept behind "Graphic War" is simple and intriguing. In 272 crisp, glossy 9-by-11-inch pages, author Donald Nijboer presents hundreds of superb examples of aviation-related World War II technical artwork from Great Britain, Germany, the U.S. and the Soviet Union.
Most of the artwork comes from wartime training manuals, operations handbooks, aircraft production and assembly documents, posters, etc. Without exception, the artistic quality is stunning. Sixty-some years ago, when anonymous artists created these amazing works, computer-generated imagery (and, indeed, even the computer itself) was not even a gleam in the eye of the most visionary dreamer. Dedicated and talented artistic craftsmen turned out these exquisite pieces of technical art using "low-tech" items such as India ink pens, colored chalks, airbrushes, rubber cement, vellum and Bristol board. "Graphic War" shows that these artists not only succeeded in conveying complex technical information to the airmen who needed to know it--they also often created beautiful works of art in the process. Check out, for example, the intricate "Halifax III Main Structure" (pp. 78-79), the superbly detailed "Centaurus Aero-Engine" cutaway (pp. 156-157) and the colorful "B-17F Armament--Forward Compartments" diagram (pp. 210-211).
About half of the artwork in "Graphic War" is from Great Britain. The other half is about evenly split between Germany and the U.S. The Soviet Union gets only 14 pages, because wartime Soviet artwork is very rare and hard to find. While I marveled at the superlative illustrations, I also really appreciated the captions. Rather than describing the artwork itself (which is largely self-explanatory), each caption discusses the actual subject that the artwork depicts. For example, the captions for illustrations of aircraft torpedoes describe their use, reliability, warhead types, etc. The captions for aircraft cutaways cover performance characteristics, production numbers, variants, theatres of operation, etc. Thus one not only sees the illustration, impressive in its own right, but also learns something about the subject depicted. I found this to be an exceptionally interesting and effective way to combine visual and textual information.
"Graphic War," an homage to World War II's unsung "heroes" who helped "keep `em flying," deserves a prominent place on every aviation enthusiast's bookshelf. Graphic artists are also sure to find it fascinating and inspirational. I recommend it most highly.
Rated by buyers -
World War Two was a highly mechanised and technical war, perhaps no more so than in the air. Development of increasingly more sophisticated aircraft meant a greater demand for technical and general arrangement drawings, as well as a wide range of training material. This lavishly-illustrated book celebrates the unsung and in many cases unknown artists and technical illustrators who created the many thousands of drawings and posters produced by the combatants during the war. It draws together samples of obscure, arcane artwork that in was either intended for a limited readership, or would be regarded as ephemera. This provides us with a glimpse into a special and little-known world of over six decades ago.
The very first three chapters cover the life and contribution of artists who applied the skills learned in peace-time to the wartime production of aircraft, training and advisory material for aircrew and maintenance staff. The bulk of the 270-odd pages are devoted to examples of technical drawings and training posters from Great Britain, Germany, the United States and the Soviet Union.
Where else could you find the inner workings of the FN Type 64 under gun turret (complete with Type B, Mk II periscopic sight), how to dive-bomb with a Junkers 88, what the best-dressed aircrews were wearing, how the superchargers work on a Wright-Cyclone R-3350 aero engine, and why you should regularly burn off oil deposits from your spark plugs? These things might be only of historical interest now, but then they were matters of life and death.
The artwork is often very detailed and beautifully rendered, and is a tribute to the skills of the artists. This is assisted by the large format and high quality of printing. There is some explanatory text with each image, but they are mostly left to speak for themselves. The book will appeal to aviation history buffs, or to those with an interest in the development of technical drawing. It offers many fascinating hours of delving into the inner workings and operation of some classic aircraft. Highly recommended.
Rated by buyers -
This fine book is cover-to-cover artwork, and descriptive text, of aviation documents produced during World War II. The documents include public information, manufacturer publicity, military training manuals, and conceptual views. There are quite a few aircraft cut-away drawings, but most of the pictures are solid view renderings intended to show what things looked like and how they worked/were used. Any student of historic aviation will find this book an exciting read. All other aviation enthusiasts will love it for the pictures alone.
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