Regular marked price: $10.95Discount Price: $8.76
Cost Savings: $2.19 (20%)Price fluctuation possible.
How soon does it ship: Normal ship time within one day
Shipping? Absolutely FREE if you qualify for Super Saver Shipping.
Type of bind: Paperback
Dewey Decimal Number: 843.914
EAN num: 9780679720201
ISBN number: 0679720200
Label: Vintage
Manufacturer: Vintage
Quantity: 1
Page Count: 144
Printing Date: March 13, 1989
Publishing house: Vintage
Release Date: March 13, 1989
Sale Popularity Level: 2361
Studio: Vintage
Other books you might be interested in perusing:
Editor's Notes and Comments:
Product Description:
Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed 'the nakedness of man faced with the absurd.' First published in 1946; now in a new translation by Matthew Ward.
Amazon.com Review:
The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.
The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.
Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. 'She wanted to know if I loved her,' he says of his girlfriend. 'I answered the same way I had the last time, that it didn't mean anything but that I probably didn't.' There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with 'the gentle indifference of the world' remains as compelling as it was when Camus very first recounted it. --Ben Guterson
User popularity level:
Rated by buyers 
-
This book, at first, seems plain. The simplicity and clarity of the writing is what makes the book unique. A man does this and that, describes what is, objectively, and goes about his life. He is detached, content, accepting, in touch with life as it is and doesn't taint existence with novel interpretations. Rather, he doesn't interpret anything. He is never swayed by what he views as pointless, although he does look for reason in what others are passionate about. He admits that he has considered being less honest to appease others, but decides against doing so.
I read this book because I am interested in existentialism. I found that it not only helped me understand the philosophical movement better, but also helped me justify my ideas. As a person who has been an atheist and a skeptic her entire life, usually told that I am cold and detached, and that being so isn't good, reading this book (and recommending it to others) has helped me feel that my logic makes sense, and is shared by others after all.
I definitely recommend this book to anyone who values rationality, objectivity, simplicity, and loathes senseless novelty.
Rated by buyers -
I am writing my report about a book called The Strangers. The Strangers setting is based a long time ago in France and it is narrated by Monsieur Maersault, reflecting on the end of his life. He is a man who keeps to himself and rarely shows emotion or that he cares about anyone or anything except Marie, and he lives in an apartment-like complex where he keeps to himself and has a feeling he is being followed. His close friends are Raymond, Mason and Marie. Maersault also has a friend, Secile, who owns a neighborhood restaurant. One day during the story Marie and Maersault were invited to Mason's house for a party. Mason owns a large house that has a large beach in the backyard. During the party, Raymond and Maursault walked down the beach, noticing two men had been following them, armed with knives. After they see this they returned back to Mason's. Later that day, Maersault goes back to the beach alone with a gun to see if the two men were still there. Sure enough the men were still there and as they approached each other Maersault made his fatal mistake. Maersault had shot the man dead. After this his life took a downward spiral until the end. He had to go to court, stay in jail, and couldn't be with Marie. After all this, he still had one more chance to prove he wasn't a monster to all the people, and to show his crime. Instead of proving them wrong, he spoke his mind and the truth and that was it. Nobody wanted to deal with him anymore so the court sentenced him to be executed. Inside Maersault was really sad but he still did not show it. Even though he knew his fate he didn't fear it. He managed to not care even though he saw the guillotine that was going to take his head. That was the end. I enjoyed this book because it was very interesting and I wanted to see what would happen to Maersault next.
Rated by buyers -
The Stranger is one of those nobel-prize-winnnig books you see mentioned every now and then, but you don't know if you'll really ever read it yourself. It's such a simple story, but it's so profound and thought-provoking. Basically, a guy kills another guy in self defense and goes to trial over it. That's really all there is to the story. But what makes it so thought-provoking is the personality of the guy. He sends his mother to a nursing home, doesn't cry at her funeral, smokes a cigarette and drinks a cup of coffee immediately after the funeral, and gets a new girl friend the day after the funeral. This makes him suspect. The mob thinks that maybe he has no feelings. They think that maybe he's an awful man that isn't fit to be in public. They think that maybe the murder wasn't in self-defense after all. It's scary to me that people could think a man is a callous monster just based on the feelings a guy did or didn't have for their mother. What's the real line between civilized and savage? Is a person not civilized just because they are less demonstrative about their emotions than most people? Is it a crime to sleep with a girl you just met just because your mother was put in the ground the day before? It's just shocking to see how small of a thing can demonize a person in the eyes of a mob. I think, however, that the most shocking thing to me about this book was to realize that in 1942 France, the death penalty was still beheading by guillotine.
Rated by buyers -
I was told by a really good friend of mine to read this book. Looking in a bookstore on vacation, I came across it. It was cheap so I bought it, not really knowing anything about the story or what I was getting into. But I trust my friend's judgment, so I went ahead and read all of 'The Stranger' this afternoon. WOW is all I can say. The language and storytelling is so simple, so effective, that I got wrapped up in the world that Camus was engaging me in.
It reads like Salinger's 'The Catcher in the Rye', at least in my opinion. He tells the story so clearly. It's one of the most concise books I've ever read. It is quite depressing, but you oddly feel sorry for, and relate to the main character. I feel an odd sense of hope after reading it, and for people that hated it, I can't see what they're talking about. The story will engulf you and not let go until the end. Highly recommended!
Rated by buyers -
(This is a review of the Matthew Ward translation; grey an dwhite cover)
This is a newish translation, done by an American rather than the British translation that had previously been the only English version of this French classic. It seems Camus was heavily influenced by American literature of the period -- Hemmingway, Faulkner and others -- and had written The Stranger, the very first half especially, to reflect those stylistic sensibilities. The translator argues in his forward that much of that was lost in the British translation. And so here, it is restored.
The result is a matter-of-fact tone more in keeping with our unlikable protagonist, the distant, somewhat bitter Meursault. His almost emotionless life and anti-social tone are stark and ugly, traits that drag him beneath the waves when he is put on trial for murder. As always, The Stranger is compelling reading, but also frustrating, because it is so impossible to care for the main character in the final chapters.
Camus' timeless classic remains as essential yesterday as it was when released, while this new translation gets us a bit closer to the stylistic approach he allegedly wanted. Essential reading.
Find other books like this one:
