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Type of bind: Mass Market Paperback
Dewey Decimal Number: 813.54
EAN num: 9780312997700
ISBN number: 0312997701
Label: St. Martin's Paperbacks
Manufacturer: St. Martin's Paperbacks
Quantity: 1
Page Count: 368
Printing Date: December 28, 2004
Publishing house: St. Martin's Paperbacks
Release Date: December 28, 2004
Sale Popularity Level: 98221
Studio: St. Martin's Paperbacks
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Unemployed professional geologist and sometime FBI consultant, Em Hansen desperately needs work. So when her best friend Faye tells her that she knows someone who could use Em's expertise as a geologist to authenticate a painting, she jumps at the prospect. The painting is by the famous painter of the American West, Frederic Remington, and Em's client has had it in his family for years. But he believes it's a fake and wants Em to use her forensic skills to analyze the pigments to prove it. Since pigments are just ground-up minerals, it's a perfect task for a geologist like Em.
Although Em doesn't quite trust Faye's friend, she sets aside her doubts and takes the case. Following the painting's trail takes her from Wyoming to Utah to Washington, D.C., and Pennsylvania, and then it takes an unexpected sinister twist, putting Em on the trail of a murderer too. Suddenly she's the only one who can find out what's going on in time to save several lives, including her own.
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Rated by buyers 
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I love detective stories and this one looked good. This was the very first of the Sarah Andrews books I have read. I was not disappointed! As an amateur rock hound who enjoys collecting agates and fossils, I loved the geological aspects of this book. I learned a lot about paint pigments, the historical origins of paint, and how artists through the years used the various tinctures to create works of beauty.
As a detective novel, the book had lots of twists and turns and keeps you guessing right up to the end. The relationships between Em and characters in the book were well developed. You empathize with her and her struggles at this point in her life. I will definitely read more books by this author!
Rated by buyers 
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This is not a good book. I also am a woman geologist (hydrogeologist)and I am increasingly offended by the whiny, bitter, unsympathetic portrayal of a prototagonist (if that word can be used)who seems unable to pull herself together enough to finish a degree and get and hold a job. Besides these twin destroyers, Em also has unending relationship problems with the men in her life.
Finally, the basic premise is silly. Since other reviewers have outlined the plot, I'll just say that the idea that someone would get a totally unqualified geologist (as opposed to, say, an art historian, curator, or someone else who deals with art for a living)to authenticate a painting is rediculous.
I found this to be a very negative,pessimistic book. Such a contrast to "Bone Hunter", which is a delight to read.
Rated by buyers 
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Em Hansen is waiting out her life--waiting for her boyfriend to return from whatever overseas operation the military sent him on, waiting for her friend's baby to grow older, waiting while she struggles with ideas for her Master's thesis in geology. In the meantime, she sponges off of her mother, lives rent-free with her equally impoverished friend Faye Carter, and visits western art museums to check out the fabulous paintings by Remington. When Faye meets up with an old school friend, she offers Em a way to solve all of her problems. Tert Krehbeil has a possible Remington he'd like tested for authenticity and he's willing to pay Em to use her geological skills to identify the pigments used in painting. It's an opportunity to make some money and pick up a thesis topic. And Faye gets some dates out of it with the handsome Tert.
Em's detective instincts warn her that something is wrong with the deal--and with Tert, but she can't turn down money. She soon finds herself investigating--and stepping on toes in the FBI who has their own investigation going on. But if Em's fears are right, she's stumbled into something even more serious than paint forging--something very much like murder.
Author Sara Andrews offers interesting information about the pigments used in 19th century painting (most of them poisons) and in the dangers of suburbinization. Despite these strong points, I found Em to be unsympathetic--too concerned with her own pathetic life, bitter with her mother for not taking better care of Em's prospective inheritance, and angry with Faye for not getting on with her life--as if Em was doing better with her own. I also had a hard time understanding why Terc would ask for Em's advice (let alone pay for it) in the very first place. As an art dealer, surely he had plenty of contacts he could use and trust without opening up to a complete stranger.
EARTH COLORS isn't a bad mystery--it certainly kept me reading. But the unsympathetic protagonist dragged me out of the complete involvement a reader has a right to expect in a first-class mystery.
Rated by buyers -
For geologist Em Hansen her latest assignment is odd in terms of how she got the job while babysitting the infant daughter of her friend Faye Carter "don't call me" Latimer and what her client Tert Krehbeil who's affiliated with a museum hires her to investigate. Tert wants to know whether a painting allegedly done by renowned western artist Frederick Remington is genuine especially since the coloring is a bit different than the painter's usual works.
Em begins tracking the history of the painting, taking her from Cody, Wyoming where she had been visiting museums with baby Sloane when she got the job to Utah, Washington DC and Pennsylvania. However, the complex investigation turns ugly when someone begins poisoning the family members of Em's client. Soon Em realizes she may be on the short list of a killer whose motive is murky, but whose means and opportunities have been on target.
Though this tale starts differently than the fabulous previous treasures as Em is hired for her sleuthing reputation more than her bone hunting geological skills, EARTH COLORS is a wonderful and intelligent mystery. The story line combines two subplots that of the masterpiece investigation with a series of murders in which Em is the point of convergence. Though the art inquiries could have sustained the plot without the homicide fault line that feel more by the numbers than usual for this unique series, fans will enjoy Sarah Andrews' latest gold dust entry in what remains one of the most refreshing sleuths of the past few years.
Harriet Klausner
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