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Type of bind: Paperback
Dewey Decimal Number: 823.7
EAN num: 9780141439587
ISBN number: 0141439580
Label: Penguin Classics
Manufacturer: Penguin Classics
Quantity: 1
Page Count: 512
Printing Date: May 06, 2003
Publishing house: Penguin Classics
Release Date: May 06, 2003
Sale Popularity Level: 17952
Studio: Penguin Classics
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Editor's Notes and Comments:
Product Description:
New chronology and further reading; Tony Tanner's original introduction reinstated
Edited with an introduction and notes by Flora Stafford.
Amazon.com Review:
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: 'Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.' One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumour about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as 'a heroine whom no one but myself will much like,' she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber
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Rated by buyers 
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Emma complete illustrated novel by Jane Austen
Austen's witty exploration of social relationships in "Emma" is both humorous and insightful. An enjoyable read for everyone.
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Like most of Jane Austen's novels, the theme is around young women and how to obtain marriages with suitable men and be in love with them at the same time. In Emma, we have a heroine who not just sits around and speculates on who would pair up with who, but actively strives to influence and guide the matchmaking. She takes on a protege, Harriet Smith, a young woman of unknown parentage and sees into every interaction with the various gentlemen, more than is actually there. Unfortunately for poor Harriet, whose emotions get tangled around various men "who are all above her socially", Emma learns that manipulation and scheming is doing more to hurt her dear friend than to have left things alone.
The reason I read this book as a mystery, is that the reader is left to speculate (without peeking) which man would pair up with which lady. There are blue herrings, where the characters other than Emma, misspeculate, to lead the reader into examining the clues to see if it were the case. Also, one of the male characters purposely set out to mislead where his affections are placed, and there is also a misunderstanding between Emma and Harriet on which gentleman she admires, with Emma giving encouragement because of mistaken identity.
The scheming finally crashes to a sequence of revelations brought about by a sequence of events. One after another, the couples pair off with a sequence of marriages, assuring the reader that the correct matches were made and happiness for the future guaranteed. Even though the middle of the book is very slow, the reader can go back and look at the clues and events after knowing the ending to see where inclinations rested and secrets lay buried.
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I have always loved Emma the movie, the one with Gwyneth Paltrow in it. Her Emma is so clueless, so innocent, yet somehow loveable. I finally decided to pick up the classic novel to see if the movie missed anything and to get the full story straight from the author. The book delighted me just as much as the movie did, as I am pleased to say.
Emma Woodhouse is a young, rich woman living with her germaphobe father in the town of Highbury. Bored and eager for some sort of excitement, she decides to matchmake her new friend Harriet Smith with the local vicar Mr.Elton. Emma is convinced that her matchmaking skills are among the best, wrongly taking credit for pairing her governess Miss Taylour with their neighbor Mr.Weston. Many mishaps occur, and many hearts broken and confused, but in the end all is well, with all three of the main couples finding happiness.
It took me a little while to get in the vocabulary of the time, but once I did the book breezed by. Emma is so flawed like all of us; that is why we love her. Just because this book was written almost 200 years ago doesn't make it bad: it makes it better.
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A smug but goodhearted society girl learns her judgment isn't as incisive as she thinks it is. "Emma" is a fun, lighthearted version of Jane Austen, with enough misunderstandings and crossed signals to form the basis of a modern sitcom. For all its pleasant enjoyability, however, the novel is also a fascinating character study of one woman being elevated to a nobler level by being taken down several notches.
In this respect, "Emma" is a prime example of the fact that although many see Jane Austen as something of a proto-feminist, she often gave her male characters the most admirable constitutions of her entire cast. Although the female Emma may be the heroine we hope will triumph, the male Mr. Knightley (like Colonel Brandon of "Sense and Sensibility") is the unimpeachably noble person, and the one who helps Emma ascend to a higher plane of virtue when she might otherwise have been left in despair at her failures. In the end, Austen's fourth novel (and the last published during her lifetime) is not a feminist manifesto. Rather, it transcends the gender wars and remains a touching comedy of errors with a profoundly subtle commentary on human pride and folly.
Rated by buyers 
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It was a good book, but older writing styles are hard for me to get used to. I liked the characters, but the movie ruined it for me. ALWAYS read the book before you see the movie.
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